Sergey Kantsedal is a curator based in Turin.
He is currently running a non-profit space Barriera. Through a series of exhibitions and long-term projects, this institution space creates opportunities for dialogue between artists, curators, and collectors and engenders contamination with other cultural environments and disciplinary perspectives.
Over the years, he has collaborated with various public and private institutions, including the Fondazione Sandretto Re Rebaudengo and Officine Grandi Riparazioni (OGR) in Turin, Fabbrica del Vapore and MUDEC Museo delle Culture in Milan, MAMbo - Museo d’Arte Contemporanea in Bologna, PinchukArtCentre and the National Art Museum in Kyiv.
He also works as an independent curator working closely with artists to produce events and exhibitions. He is particularly interested in the heritage of the former Eastern Bloc and its role in the construction of cultural, political, and gender identity.
He took part in MEDITERRANEA 18, Young Artists Biennial in Tirana and a transnational research program A Natural Oasis? (San Marino-Kosovo-Montenegro-Malta).
He graduated from the State Academy of Design and Arts of Kharkiv, attended Third Moscow Curatorial Summer School by V-A-C Foundation and CAMPO, curatorial practices course at Fondazione Sandretto Re Rebaudengo in Turin (2015-2016).
He is currently running a non-profit space Barriera. Through a series of exhibitions and long-term projects, this institution space creates opportunities for dialogue between artists, curators, and collectors and engenders contamination with other cultural environments and disciplinary perspectives.
Over the years, he has collaborated with various public and private institutions, including the Fondazione Sandretto Re Rebaudengo and Officine Grandi Riparazioni (OGR) in Turin, Fabbrica del Vapore and MUDEC Museo delle Culture in Milan, MAMbo - Museo d’Arte Contemporanea in Bologna, PinchukArtCentre and the National Art Museum in Kyiv.
He also works as an independent curator working closely with artists to produce events and exhibitions. He is particularly interested in the heritage of the former Eastern Bloc and its role in the construction of cultural, political, and gender identity.
He took part in MEDITERRANEA 18, Young Artists Biennial in Tirana and a transnational research program A Natural Oasis? (San Marino-Kosovo-Montenegro-Malta).
He graduated from the State Academy of Design and Arts of Kharkiv, attended Third Moscow Curatorial Summer School by V-A-C Foundation and CAMPO, curatorial practices course at Fondazione Sandretto Re Rebaudengo in Turin (2015-2016).